Some bands return to the stage and simply play the hits but The Corrs reminded us why their music mattered in the first place. Their concert at SunBet Arena was a clear example of their polished, heartfelt sound, backed by the kind of musical chemistry that only siblings can share.
They opened with Only When I Sleep, setting an immediate tone of ease and familiarity. Andrea Corr’s voice remains distinctive, steady and expressive and the crowd settled into the evening almost instantly. Without pausing, the band moved into Give Me a Reason, bringing more energy into the room as Sharon’s violin and Caroline’s percussion pushed the tempo. A solid and confident start.
Lough Erin Shore shifted the mood entirely. Live, the instrumental arrangements have a weight that recordings can’t fully capture. The Celtic elements came through cleanly and clearly. That same clarity flowed into Forgiven, Not Forgotten, which remains one of their strongest tracks. The mix of rock and folk influences created a dynamic early peak in the set.
Things brightened with Summer Sunshine, delivered with a light, easy energy. Then came the inevitable crowd singalong moment with What Can I Do. Pretoria responded immediately and it was one of the first points in the evening where the audience’s voice really carried through the arena. It’s a song built for live performance and it showed.
White Light kept the pace up with a crisp arrangement, followed by Old Town, their Phil Lynott cover. The middle portion of the concert then moved firmly into their Irish roots. My Lagan Love was stripped down and sincere, while Joy of Life brought some well-timed energy back into the room. Ellis Island sat neatly between the two – thoughtful, steady and delivered with respect for the material.
From there, the traditional Haste to the Wedding lifted the tempo significantly. The audience responded immediately. Watching Sharon on this track was a reminder of how integral her playing is to the band’s identity. Her violin work was sharp, rhythmic and confident, giving the performance a real sense of urgency.
Radio offered a more reflective moment. It’s one of their quieter songs, but Andrea’s phrasing kept it grounded and engaging. Queen of Hollywood brought the drama up again, driven by strong storytelling and a solid arrangement. Their take on Dreams followed and is clearly still a crowd favourite.
The shift into I Never Loved You Anyway injected a welcome sense of attitude and So Young then picked up the pace again, landing easily with a crowd that was fully warmed up by this point.
They closed the main set with Runaway, which arrived with all the nostalgia you’d expect. It was honest and well delivered and the audience responded with quiet appreciation. A thoughtful way to close the first part of the night.
The encore opened with All the Love in the World followed by Breathless which immediately pulled everyone back to their feet. It was the biggest pop moment of the night.
They closed the show with Toss the Feathers, one of the strongest instrumental pieces. It was fast, tight and well executed which was a reminder that beneath the radio hits, The Corrs are serious musicians with deep roots in traditional music.
Leaving SunBet Arena, it was clear why this band continues to draw crowds decades into their career. They play with skill, ease and a genuine sense of connection to their music. The strength of the performance came from the band’s unity, their musicianship and a catalogue that still resonates with audiences across ages.
The Corrs delivered exactly what fans hoped for, a sincere and engaging night that reminded everyone why their music continues to endure.